What does A&R stand for?
Artist & Repertoire. The term was coined to describe the function of people at record labels who are in charge of finding and developing new talent.
Development typically includes finding the right material for the artist to perform if they don't write their own songs, hooking them up with the right producer, engineer, studio, etc., deciding which of their songs are the most viable, and shepherding the making of the record.
After the record is done, it's not unusual for the A&R person to be responsible for getting the other departments such as retail sales and radio promotion excited about the record so that they do their jobs well. If all the parts of the record company "machine" work well together, the act just might have a hit.
Today, A&R people seem to concentrate less on developing artists, and often look for artists that have "developed" themselves. It's not unusual for the boards of directors to look more at the bottom line and less at talent development. Hence, A&R people are under pressure to find hits, rather than finding potential hits and nurturing them until they bear fruit.
How do I get my music to an A&R guy?
The best way to get your music to an A&R person is to cause them to come to you. You can do that by building a fan base through constant touring and relentless self-promotion. Couple that with making, marketing, and selling several thousand of your own CDs, and it's likely that you'll show up on their radar. When you do, they'll call you.
Can you get through to them with an unexpected phone call? Very doubtful. If they took calls from every person who wanted to pitch their music to them they wouldn't have time to do any of their other work.
Can you send an unsolicited demo? Yes, but it will most likely come back to you or end up in the round file. A&R people are extremely busy, and generally listen only to the material that comes to them from a trusted resource such as a high-level manager, a publisher, a music attorney, and if you'll forgive the little plug TAXI.
What makes an A&R person want to sign you?
Hit songs and "star" quality. Those are requisites. Beyond that, you can increase your odds by doing your own artist development and proving that the public loves you and is willing to plunk money to buy your CD.
A&R Interviews
- Craig Aaronson
Sr. V.P., A&R Warner Bros. Records - Marshall Altman '02
A&R, Columbia Records - Marshall Altman '99
Director of A&R, Hollywood Records - Betsy Anthony-Brodey
Vice President Talent Acquisitions, Universal Music Publishing Group - Scott Austin
A&R Maverick Records - Michael Badami
Dreamworks Music Publishing - Suzan Bader
President, DSM/All American Music Library - Shane Barrett
Senior Manager of A&R, MCA Records Nashville - Laura Becker
Creative Director, Famous Music Publishing - Jose Behar
President, EMI Latin - Antony Bland
Director of A&R, American Recordings - Steve Bloch
Owner and Publisher, Southern Cow Music - Brent Bourgeois
Vice President of A&R, Word Records - David Boxenbaum
General Manager, Octone Records - Jeff Brabec
Vice President, Business Affairs Chrysalis Music Publishing Warner Bros. Records - Nancy Brennan
VP A&R, SBK Records New York - Mitch Brody
A&R Manager, MCA Records - Liz Brooks
A&R Executive The Work Group - Bruce Burch
Creative Director, EMI Publishing - Ron Burns
Musician for Film/TV - Tom Carolan
Vice President of A&R, Lava Records - John Carter
Vice President A&R, Island Records - Rob Cavallo
VP of A&R/Staff Producer Reprise Records - Rob Chiarelli
Mixer, Re-mixer, Indie Label Owner RCA Label Group, Nashville - Desmond Child
Hit Songwriter - Shawn Colvin
Born To Be Telling Her Story - Lionel Conway
President of Maverick Music - Steve Corn
Big Fish Media - Tim Devine
Senior Vice President of A&R, Columbia Records - Cheryl Dickerson
Senior Director of Writer/Publisher Relations, BMI - Kara DioGuardi
A&R Team, Warner Bros. Part 1 | Part 2 - George Drakoulias
Staff Producer and A&R Executive, American Recordings - Michael Eames
President, PEN Music Group, Inc. - Andy Factor
Vice President of A&R, Virgin Records - Ron Fair
Senior VP of A&R, West Coast, RCA Records - Lindsay Fellows
Director of Promotions, Squint Entertainment - Jeff Fenster
Senior V.P. of A&R, Jive/Silvertone Records - Tony Ferguson
A&R, Interscope Records - Jonathan Firstenberg
Creative Director, Universal Music Production Library - Fisher
Signed, Sealed and Delivered - Bruce Flohr
Senior Vice President of A&R/Artist Development, RCA Records - Lonn Friend
Vice President of A&R, Arista Records - Don Gehman
Producer - Randy Gerston
President, Gold Circle Soundtracks and See Hear Music Supervision - Michael Goldberg
A&R, Maverick Records - Max Gousse
Vice President A&R, Epic Records - Jerimaya Grabher '00
A&R Manager, Windham Hill - Jerimaya Grabher '05
Director, Sanctuary Producer Management - Benjamin Groff
Director of Creative Services, BMG Music Publishing - Bud Harner
VP of A&R, Verve Music Group - Erik Hickenlooper & Jim Funk
Hit Songwriters - Janis Ian
Canadian singer/songwriter - Loren Israel
Director of A&R Capitol Records - Jason Jordan
Vice President, A&R, Hollywood Records - Craig Kallman '94
President, Big Beat Records/Vice President, Atlantic Records - Craig Kallman '05
Co-chairman and COO, Atlantic Records - John David Kalodner
Senior Vice President of A&R, Sanctuary Records Group - Danny Kee
Director A&R, Warner Brothers Records, Nashville - David Kessel
President, IUMA/Offline Records - Ken Komisar
Vice President, A&R Sony Music - Abbey Konowitch
Executive Vice President MCA Records - Michael Laskow
TAXI Founder and CEO - Frank Lidell
Dir. of A&R, Decca Records, Decca Records, Nashville - Clyde Lieberman
Sr. Director/East coast Creative Services for BMG Music Publishing - Michael Lloyd
Record Producer - John Loken
General Manager, Ultimatum Music - Ted Lowe
President, Choice Tracks Inc. - Barry Mann & Cynthia Weil
Perhaps the most successful pure songwriting team in history - Joel Mark
Vice President, A&R MCA Records - Mark Mazzetti
VP of A&R, A&M Records - Sarah McLachlan
Canadian singer/songwriter - Marla Mcnally
Co-CEO, Emerald Forest Entertainment - Mike Morrison
Program Director, KSCA Los Angeles - Ralph Murphy '96
Assistant VP of ASCAP Nashville - Ralph Murphy '05
Vice President for ASCAP Nashville - Marc Nathan
Senior Director of A&R, Universal Records - Gary Nicholson
Songwriting Producer - Spider One
Powerman 5000 and Megatronic Records - Donald Passman
Music Attorney A&M Records - Jon Pikus
Columbia Records A&R - Kawan "KP" Prather
Executive VP, A&R Sony Music Urban - Joe Quaranto
Owner, Producer ETNC Music - Sam Ramage
Senior Director, A&R RCA Label Group, Nashville - Robbie Robertson
TAXI Road Rally 2006 Part 1 | Part 2 Part 3 - Michael Rosenblatt
Senior Vice President of A&R, MCA Records - Tom Sarig
Vice President, A&R, MCA Records - Bud Scoppa
Vice President of A&R Sire Records Group - Eddie Singleton
Director of Urban A&R, Warner Bros. Records - Mike Sistad
Manager of A&R, Arista Records--Nashville - Staci Slater
The Talent House - Ed Sloan
Band Member of Crossfade - Al Smith
Director of A&R, V2 Records - Barry Squire
A&R Manager, Columbia Records - Judy Stakee
Vice President of Creative Services, Warner/Chappell Music - Ian Steaman
A&R, Tommy Boy Records - Danny Strick
Senior VP, General Mgr. BMG Songs - Kaz Utsunomiya
Executive VP A&R, Virgin Records - Tom Vickers
Senior Director of A&R for Mercury/Parachute Records - Nancy Walker
Island def Jam Recordings - Jack Wall
Sr. Dir; Game Audio Network Guild - Diane Warren
one of most prolific and successful contemporary songwriter of our time - John Weakland
Director of A&R, Columbia Records - Geoffrey Weiss
Vice President A&R, Warner Bros. Records - Jonathan Wolff
Prolific TV Composer - Luke Wood
DreamWorks Records, A&R - Chris York
Director of A&R, EMI CMG - Jim Zumwalt
Entertainment Attorney Zumwalt, Almon & Hayes, Nashville
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